This move not only revealed to me that a lot of artworks were missing in various (or all) sizes, but that there are a lot of originals I need to get back up after taking them down for shows. It also forced me to make the prices more across the board…

An alternate version of the promotional piece done for Dexter Palmer’s “The Dream of Perpetual Motion”, published by Macmillan/St. Martin’s Press.

This image was the cover for the upcoming September/October issue of Gatehouse Gazette, an excellent dieselpunk, pulp, horror, sci fi, steampunk mag..

The drawing for the Gatehouse Gazette was ink on Bristol. I decided it needed some color, so I broke out the acrylics and got to work on it. This is the finished result… very vintage pulp in its look and feel.

A finely detailed pirate airship in a fog of wispy swirls and whorls passes by a ages-forgotten temple in the cliff-top mists.

Cropped from the full-size piece to feature the airship only to make for a more up close, boldly detailed, and vivid view of the work (available as 18×12 metallic prints, and as 36×24 giclees on canvas in my store)

This desktop is 1800 x 1200, but can be resized or stretched to fit your needs.

A month back, I did a cover image for the Gatehouse Gazette, my second cover for them. The Gatehouse Gazette being a black and white publication, with a standard of using line-art for the covers, I decided to do the piece in pen and ink.
Though not exactly an expressive and creative masterpiece by any stretch, the piece made me happy looking at it, as it reminded me very much of the sorts of things I used to draw at my desk behind a makeshift wall crafted of several propped up …

These images are free to use for your own personal non-commercial use on your own phone.

Cover art for Gatehouse Gazette 10, my second cover for the popular Dieselpunk magazine.

Issue 10 will be released less than a day from the time of this posting…

I reached the point where I *wanted* to add “just a little bit more”, but my instincts were telling me that might be detrimental to the cause and I called it “done”… typically, as one learns over thousands of years of banishment to Earth, this is the point where one more brush stroke equals “overworked”…