This is the fifth painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

This one leans a lot more toward my old surreal style, with some elements of older paintings hidden within the sands, such as a sand-storm buried nautilus, and strange shells woven into the stone. The somewhat serene piece is offset and accented by a very active lightning field in the distant background - cages on chains float like balloons on the horizon, a strange sphynx guards the pass, and shadows become starry skies. There are many more hidden details within this piece, and I only outlined the more obvious ones - as with all my paintings, this is an image you can revisit many times of many days to find new and equally strange things within.

These are printed  in Epson Ultra Chrome k3 archival inks on high-quality heavyweight metallic paper, coated with a UV resistant protective varnish, with an archival-rating at about 200+ years.

A.P.s and early edition numbers going to the first takers.

This is the fifth painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

This one leans a lot more toward my old surreal style, with some elements of older paintings hidden within the sands, such as a sand-storm buried nautilus, and strange shells woven into the stone. The somewhat serene piece is offset and accented by a very active lightning field in the distant background - cages on chains float like balloons on the horizon, a strange sphynx guards the pass, and shadows become starry skies. There are many more hidden details within this piece, and I only outlined the more obvious ones - as with all my paintings, this is an image you can revisit many times of many days to find new and equally strange things within.

These 50 giclees are printed full size in Epson Ultra Chrome k3 archival inks on high-quality heavyweight canvas, coated with a UV resistant protective varnish, with an archival-rating at about 200+ years. They are hand-signed, and gallery-wrapped. They are documented with a signed and hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

A.P.s and early edition numbers going to the first takers.

This is the fifth painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

This one leans a lot more towards my old surreal style, with some elements of older paintings hidden within the sands, such as a sand-storm buried nautilus, and strange shells woven into the stone. The somewhat serene piece is offset and accented by a very active lightning field in the distant background - cages on chains float like balloons on the horizon, a strange sphynx guards the pass, and shadows become starry skies. There are many more hidden details within this piece, and I only outlined the more obvious ones - as with all my paintings, this is an image you can revisit many times of many days to find new and equally strange things within.

These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality heavyweight metallic stock, coated with a UV/scratch/moisture resistant protective layer, with an archival-rating at about 200+ years. They are hand-signed, and gallery-wrapped. They are documented with a signed and hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

The printed area on this metallic print is 32x21 inches, made to match the size constraints of the 36x24 inch "the Rescue" Metallic prints and the 36x24 "the Machine" Metallic Prints. The limited run of metallics for "the Rescue" sold out in a week, which saddened me a bit because I didn't even get to keep one for myself and because  felt a bit bad for the people who wanted them but couldn't get them. So, instead of a limited run of 20 + II, I am doing a Limited run of 50 for these.

On sale through November, reduced by over $40.

This is the fourth painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The airship is set against a calm and cloudy sky, and white stone mountains, in the mid ground blow blossoms from the foreground trees, tentacles subtly hidden within the flowers, trees, mist and fog.

The pink tentacles, scarlet flowers, and protruding ship mast would make Freud very happy; The warm colors of this piece make for a light and open feel, and the subtle earthen tones will pull this work together with most any decor scheme.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

This is the fourth painting and the fifth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle.

The airship is set against a calm and cloudy sky, and white stone mountains, in the mid ground blow blossoms from the foreground trees, tentacles subtly hidden within the flowers, trees and fog.

There is a touch of sensuality in the pink tentacles, scarlet flowers, and protruding ship mast; The warm colors of this piece make for a light and open feel, and the subtle earthen tones will pull this work together with most any decor scheme.

These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality heavy metallic stock, uv-sealed for a longevity of about 200+ years, hand-signed. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

If these are already sold out - try The Miskatonic Archive, the Etta Diem Etsy Store.

Presale Price valid through August 1st - Ships August 5th

This is the fourth painting and the fifth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle.

The airship is set against a calm and cloudy sky, and white stone mountains, in the mid ground blow blossoms from the foreground trees, tentacles subtly hidden within the flowers, trees and fog.

There is a touch of sensuality in the pink tentacles, scarlet flowers, and protruding ship mast; The warm colors of this piece make for a light and open feel, and the subtle earthen tones will pull this work together with most any decor scheme.

Printed on heavy archival metallic stock in archival pigment inks, coated with a UV, moisture, and scratch-resistant coating for added durability and lifespan.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact.

It bears the seal and sigil of one "Myke Amend", a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.

It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact.

It bears the seal and sigil of one "Myke Amend", a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.

It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact.

It bears the seal and sigil of one "Myke Amend", a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.

It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

Printed at 24 x 16 inches, this is a fine art reproduction of the original painting from Myke Amend - a beautiful, serene, and equally strange piece, with bizarre lighting and shadow effects which make some objects and figures seem to lean out of the painting.

This surreal piece is heavily-influenced by "Spirit Walking" ("long-term sleep deprivation" as we like to call it).

These are printed in Epson Ultra Chrome k3 archival inks on high-quality heavyweight metallic professional photo stock. They are uv-sealed for a longevity of about 200+ years, moisture and scratch resistant.

** Orders outside the US are shipped Unstretched and Unmounted to reduce shipping.

Limited run of only 25 on Canvas, signed and hand-numbered. With a hologrammed certificate of authenticity and matching serialized hologram on the print.

Printed at 32 x 20 inches, this is a fine art Giclee print of the original painting from Myke Amend - a beautiful, serene, and equally strange piece, with bizarre lighting and shadow effects which make some objects and figures seem to lean out of the painting.

This surreal piece is heavily-influenced by "Spirit Walking" ("long-term sleep deprivation" as we like to call it).

These 25 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed by the artist. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work. These shipped rolled, but stretching/mounting (side wrapped or gallery wrapped) is available for US buyers.

One of three really tiny paintings I did to pass the time for a smiley-themed set.

That collection is still building.

These pieces are more whimsical, for fun pieces which I may someday make little rhymes for and assemble into a book, despite that I have been urged to never, ever, rhyme again.

One of three really tiny paintings I did to pass the time for a smiley-themed set.

That collection is still building.

These pieces are more whimsical, for fun pieces which I may someday make little rhymes for and assemble into a book, despite that I have been urged to never, ever, rhyme again.

One of three really tiny paintings I did to pass the time for a smiley-themed set.

That collection is still building.

These pieces are more whimsical, for fun pieces which I may someday make little rhymes for and assemble into a book, despite that I have been urged to never, ever, rhyme again.

One of three really tiny paintings I did to pass the time for a smiley-themed set.

That collection is still building.

These pieces are more whimsical, for fun pieces which I may someday make little rhymes for and assemble into a book, despite that I have been urged to never, ever, rhyme again.

A lonely cliff scene (Half Moon Rock in the Historic Daniel Boone Forest), serene and violent at the same time. A silhouetted figure throws roses into the wind brought by a not-too-distant storm on the horizon.

These metallic reproductions are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic photographic stock. They are uv-sealed, and given a scrach-resistant and moisture-resistant coating for a longevity of about 200+ years.

A lonely cliff scene (Half Moon Rock in the Historic Daniel Boone Forest), serene and violent at the same time. A silhouetted figure throws roses into the wind brought by a not-too-distant storm on the horizon.

These metallic reproductions are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic photographic stock. They are uv-sealed, and given a scrach-resistant and moisture-resistant coating for a longevity of about 200+ years.

**Important: Overseas giclees are sent unstretched, unmounted to reduce shipping costs.

A lonely cliff scene (Half Moon Rock in the Historic Daniel Boone Forest), serene and violent at the same time. A silhouetted figure throws roses into the wind brought by a not-too-distant storm on the horizon.

These 30 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

If these are already sold out - try The Miskatonic Archive, the Etta Diem Etsy Store.

This is the second painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gadreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft. Ghostly figures twist and turn within the mists, clouds, icebergs, and waves.

These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality heavyweight metallic stock, coated with a UV/scratch/moisture resistant protective layer, with an archival-rating at about 200+ years. They are hand-signed, and gallery-wrapped. They are documented with a signed and hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

The printed area on this metallic print is 34x17 inches, made to match the size constraints of the 36x24 inch "the Rescue" Metallic prints. The limited run of metallics for "the Rescue" sold out in a week, which saddened me a bit because I didn't even get to keep one for myself and because  felt a bit bad for the people who wanted them but couldn't get them. So, instead of a limited run of 20 + II, I am doing a Limited run of 50 for these.

I have also, to make room for this limited edition, completely cancelled the Limited run of 100 giclees on fine art rag paper, only having sold the two artists prints (I and II). Those two prints, are now incredibly beyond unique and rare.

The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gabreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft.

This is the Second painting and the Second work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle. It is an image both lampooning and celebrating the wreckless spirit of adventure of Victorian and Edwardian-Era century explorers.

These metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years.

This is the second painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle. Reduced by over $70 through November.

The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gadreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft. Ghostly figures twist and turn within the mists, clouds, icebergs, and waves.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

This is the third painting and the fourth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle. It is an image both lampooning and celebrating the wreckless spirit of adventure of Victorian and Edwardian-Era century explorers.

These metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years.

This is the third painting and the fourth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle. It is an image both lampooning and celebrating the wreckless spirit of adventure of Victorian and Edwardian-Era century explorers.

These metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years.

Limited Edition of 100, signed and numbered.

This is the third painting and the fourth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle. It is an image both lampooning and celebrating the wreckless spirit of adventure of Victorian and Edwardian-Era century explorers.

These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years, hand-signed, and hand-numbered. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

If these are already sold out - try The Miskatonic Archive, the Etta Diem Etsy Store.

On sale through November, Reduced by over $30.

This is the third painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

Squid-like cephalopods swim through the air and fog in an endless field of floating icebergs, taunting these hapless airship explorers.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

If these are already sold out - try The Miskatonic Archive, the Etta Diem Etsy Store.

The original painting was commissioned for Robert of Abney Park, and it includes the HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.

These reproductions are printed in Epson Ultra Chrome k3 archival inks on high-quality matte heavyweight stock. They are uv-sealed, scratch and moisture resistant, and have a longevity of about 200+ years.

The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.

The original painting was commissioned for Robert of Abney Park, and it includes the HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.

These reproductions are printed in Epson Ultra Chrome k3 archival inks on high-quality matte heavyweight stock. They are uv-sealed, scratch and moisture resistant, and have a longevity of about 200+ years.

Though they are open edition, there is no guarantee that they will be printed indefinitely, or for any length of time. They simply have no set number.

The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.

This is the first painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The original painting was commissioned for Robert of Abney Park, and it includes the airship: HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.

An earlier digital work. It is a bit on the dark and spooky side for most people, but a favorite of a special few.

It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a UV and scratch-resistant coating.

An earlier digital work. It is a bit on the dark and spooky side for most people, but a favorite of a special few.

It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a UV and scratch-resistant coating.