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Solid wood frame hand-made by Myke Amend, painting Acrylic on Canvas Board, 5×7 inches. Total size 8×11 inches. Part of a three painting series, which is a part of an ongoing series of mini-works (“Smile”), made in sets of three.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.It is printed on heavy archival metallic professional photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.It is printed on heavy archival metallic professional photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.It is printed on heavy archival metallic professional photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

Three 5×7 metallic prints, printed on heavy 200-year archival professional metallic stock in archival pigment inks, coated with a uv, moisture, and scratch resistant coating.The Smile series is from a same-named series of miniature paintings from Myke Amend, all 5 inches by 7 inches in acrylic on canvas.Smile series 1, also intended to be kid-friendly, was perhaps a bit on the creepy side with the blood and all – but this series is much brighter and happier, and not so incredibly creepy… though Myke may argue to the contrary because smiles really creep him out.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival fine art paper in Epson Ultrachrome k3 archival pigment inks, signed, dated, and numbered by Myke Amend

20 of these will be printed on 200-year archival fine art rag paper, each hand-signed, numbered, and dated by Myke Amend.
This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.

Limited Edition of 20. This piece is printed on heavy archival 200-year high-bright point fine art rag paper in Epson Ultrachrome k3 archival pigment inks, and is signed, numbered, and dated by the artist.
This image is the only image where my “no later editions” rule does not apply, but later editions will not be like this edition.
The image for this piece is changed each year – I add new touches to it, work on it a little bit more – typically, but not always near New Year’s Eve.
Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print.
Last year’s prints of this image will never again be available, nor the year prior, etc.. and I might not always sell the entire run. The imahe for the previous year is destroyed in the process of making the image for the new year.

Solid wood frame hand-made by Myke Amend, painting Acrylic on Canvas Board, 5×7 inches. Total size 8×11 inches. Part of a three painting series, which is a part of an ongoing series of mini-works (“Smile”), made in sets of three.

Solid wood frame hand-made by Myke Amend, painting Acrylic on Canvas Board, 5×7 inches. Total size 8×11 inches. Part of a three painting series, which is a part of an ongoing series of mini-works (“Smile”), made in sets of three.