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Solid wood frame hand-made by Myke Amend, painting Acrylic on Canvas Board, 5×7 inches. Total size 8×11 inches. Part of a three painting series, which is a part of an ongoing series of mini-works (“Smile”), made in sets of three.

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

Limited Edition of 25
Watermarks do not appear on actual print.
Print is 8.5×11 (printed at roughly 9×6.5 inches in archival inks on fine art rag paper with a one-inch border all-around). Signed, numbered, and dated by the artist lightly within the margin. A clockwork mechanical cat rests in classic pose upon a rocker arm in a clocktower amidst turning gears and moving pistons. Inspired by the Cheshire cat of Alice in Wonderland, this is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5×7 engraving to better showcase the extensive detail within this work.

Watermarks do not appear on actual print.
Limited Edition of 25
Printed at 6.5×9 inches in archival inks on fine art rag paper with a one-inch border all-around (print is 8.5×11). Signed, numbered, and dated by the artist lightly within the margin. Cover illustration for the October issue of Gatehouse Gazette, a dieselpunk, steampunk, and pulp magazine. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5×7 engraving to better showcase the extensive detail within this work.

Watermarks do not appear on actual print.
Print is 5×7 inches in archival inks on heavy professional metallic stock. Armies from the moon attack planet earth! Resistance is meh!

Watermarks do not appear on actual print.
Print is 5×7 inches in archival inks on heavy professional metallic paper. Cover illustration for the October issue of Gatehouse Gazette, a dieselpunk, steampunk, and pulp magazine. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears.

Watermarks do not appear on actual print.
Print is 5×7 inches in archival inks on heavy professional metallic stock. A clockwork cat rests in classic pose upon a rocker arm in a clocktower amidst turning gears and moving pistons. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5×7 engraving to better showcase the extensive detail within this work.

Limited Edition of 25
Watermarks do not appear on actual print.
Print is 8.5×11 (printed at roughly 9×6.5 inches in archival inks on fine art rag paper with a one-inch border all-around). Signed, numbered, and dated by the artist lightly within the margin. A mechanical alien army marches on planet earth as tentacles probe the ground and sky in the shadows. Airships save the day! Maybe! This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5×7 engraving to better showcase the extensive detail within this work.

Printed at 11×14 inches in archival inks on professional heavyweight archival Metallic paper.This image was the cover for the upcoming September/October issue of Gatehouse Gazette, an excellent dieselpunk, pulp, horror, sci fi, steampunk mag if you aren’t already reading it.The original pen and ink has been colored in acrylic paint, scanned at 900 DPI in 48 bit color, and reproduced true to the original on paper nearly identical to that of the original piece.Metallic prints have a *slight* metallic sheen underneath the ink, much like antique silver prints or tintypes would look like if they had colored inks in those days. The result is a brilliant image with a magnificent depth added by the slight under-reflection.

Printed at 11×14 inches in archival inks on fine art heavyweight archival paper with a one-inch border all-around (making it 13 x 16 inches). Signed, numbered, and dated by the artist lightly in pencil within the margin.This image was the cover for the upcoming September/October issue of Gatehouse Gazette, an excellent dieselpunk, pulp, horror, sci fi, steampunk mag if you aren’t already reading it.The original pen and ink has been colored in acrylic paint, scanned at 900 DPI in 48 bit color, and reproduced true to the original on paper nearly identical to that of the original piece.These come numbered 1-20, AP I, or AP II, hand-signed and numbered by the artist.

Printed at 5×7 inches in archival inks on professional heavyweight archival Metallic paper.This image was the cover for the upcoming September/October issue of Gatehouse Gazette, an excellent dieselpunk, pulp, horror, sci fi, steampunk mag if you aren’t already reading it.The original pen and ink has been colored in acrylic paint, scanned at 900 DPI in 48 bit color, and reproduced true to the original on paper nearly identical to that of the original piece.Metallic prints have a *slight* metallic sheen underneath the ink, much like antique silver prints or tintypes would look like if they had colored inks in those days. The result is a brilliant image with a magnificent depth added by the slight under-reflection.

Limited Edition of 20. This piece is printed on heavy archival 200-year high-bright point fine art rag paper in Epson Ultrachrome k3 archival pigment inks, and is signed, numbered, and dated by the artist.
This image is the only image where my “no later editions” rule does not apply, but later editions will not be like this edition.
The image for this piece is changed each year – I add new touches to it, work on it a little bit more – typically, but not always near New Year’s Eve.
Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print.
Last year’s prints of this image will never again be available, nor the year prior, etc.. and I might not always sell the entire run. The imahe for the previous year is destroyed in the process of making the image for the new year.

Watermarks do not appear on actual print.
Print is 9×12 inches in archival inks on heavy professional metallic paper. Cover illustration for the October issue of Gatehouse Gazette, a dieselpunk, steampunk, and pulp magazine. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears.

Watermarks do not appear on actual print.
Print is 9×12 inches in archival inks on heavy professional metallic stock. A clockwork cat rests in classic pose upon a rocker arm in a clocktower amidst turning gears and moving pistons. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5×7 engraving to better showcase the extensive detail within this work.

Watermarks do not appear on actual print.
Print is 9×12 inches in archival inks on heavy professional metallic stock. Armies from the moon attack planet earth! Resistance is meh!

Solid wood frame hand-made by Myke Amend, painting Acrylic on Canvas Board, 5×7 inches. Total size 8×11 inches. Part of a three painting series, which is a part of an ongoing series of mini-works (“Smile”), made in sets of three.

Solid wood frame hand-made by Myke Amend, painting Acrylic on Canvas Board, 5×7 inches. Total size 8×11 inches. Part of a three painting series, which is a part of an ongoing series of mini-works (“Smile”), made in sets of three.

This engraving was done as the cover for issue #8 of the GateHouse Gazette. It is 5×7 inches on Ampersand Art Clayboard Black. Framed in a solid wood fram hand-crafted by Myke Amend, total size Framed: 8×11.
Though small, these engravings are so incredibly detailed, that no web image could ever do them justice. Rest assured, this is a very fine piece of work, and very skillfully crafted.Properly matted and framed, it would make an excellent addition to any space.These engravings are done on archival claybord – a thick, tempered archival hardboard layered with archival white clay and india ink, all acid-free. The archival rating on these pieces is 200+ years.

15×18 inch giclee print (printed area 11×14) on fine art rag from the original pencil sketch by Myke Amend, printed in archival pigment inks to make for a 200+ year archival giclee print.

Each is discretely signed, numbered, and dated by the artist in pencil, within the margin.

This limited edition of 10 was made just because I thought it would be a shame for the image not to be available as a monochromatic print, and for those who really like to collect rarities.

The pencil drawing was done as a commission for friend, Violet Ash in June of 2010, a part of a small set of pencil commissions I offered up to raise gas money to the World Steam Expo.

Printed on fine art rag paper at the exact size of the original pencil drawing – hand-signed, numbered and dated by Myke Amend.

Printed at 11×14 inches on an 18×15 sheet of 200-year archival fine art rag paper in archival pigment inks, each giclee is a long-lasting work of art in its own.

Only 20 prints of the original pencil drawing will be made, ever.

Alice rides a Mock Turtle at high speed along a peppermint lollipop shoreline, followed by the Mad Hatter in his own special-crafted craft.

These images are not made to be exact to the original story, or any movie, but rather to capture and portray the wonder that mythical and magical lands may hold within a child’s imagination.