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The Rescue 32 x 22 Limited Signed Giclee on Canvas
This is the first painting in the strange-fiction steampunk art series “Airships and Tentacles” wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.The original painting was commissioned for Robert of Abney Park, and it includes the airship: HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work. The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Rescue 11x14 Open Edition
The original painting was commissioned for Robert of Abney Park, and it includes the HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.These reproductions are printed in Epson Ultra Chrome k3 archival inks on high-quality matte heavyweight stock. They are uv-sealed, scratch and moisture resistant, and have a longevity of about 200+ years.
Though they are open edition, there is no guarantee that they will be printed indefinitely, or for any length of time. They simply have no set number.The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Rescue 5x7 Metallic Mini Print
The original painting was commissioned for Robert of Abney Park, and it includes the HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.
These reproductions are printed in Epson Ultra Chrome k3 archival inks on high-quality matte heavyweight stock. They are uv-sealed, scratch and moisture resistant, and have a longevity of about 200+ years.The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Antarctic Experiment 24 x 24 Limited Signed Steampunk Art Giclee on Canvas
On sale through November, Reduced by over $30.
This is the third painting in the strange-fiction steampunk art series “Airships and Tentacles” wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.
Squid-like cephalopods swim through the air and fog in an endless field of floating icebergs, taunting these hapless airship explorers.
These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work. If these are already sold out – try The Miskatonic Archive, the Etta Diem Etsy Store.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Antarctic Experiment 24 x 24 Limited Signed Metallic Print
“All in all, the experiment was a brilliant success, though it ran for a shorter time than desired.
Ultimately, the machine had to be shut down prematurely, else we might not have had enough crew to make it comfortably back to port. Over forty Russian tribesmen bravely gave their lives to science this day – a terrible tragedy; They will surely be expensive to replace.
Also lost was an entire crate of ether, carelessly dropped from the edge of a berg in the midst of today’s activities – the most terrible happening of the entirety of our icy adventure.
Nevertheless, we saw many wondrous and splendid things this day: creatures and landscapes from the aether danced and swam about us through the air, and we saw the laws of our world temporarily suspended by those of the aether world.
It leaves me to wonder: How closely does the placement of their world correspond with ours? Are these same creatures to be found elsewhere on our planet, or would we perhaps find other inhabitants should the machine be tested in new locations?
What sorts of wondrous and unique beasts might we see in other locations? What splendid things might we discover in the aetherworlds of Beijing, Hong Kong, Indonesia, London, or perhaps New York City?
Needless to say, I am beyond eager to see!”
- Professor Aden M. Kemy, Miskatonic Archivist
These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years, hand-signed, and hand-numbered. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work. If these are already sold out – try The Miskatonic Archive, the Etta Diem Etsy Store.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Antarctic Experiment 12 x 12 Limited Edition Metallic Print
“All in all, the experiment was a brilliant success, though it ran for a shorter time than desired.
Ultimately, the machine had to be shut down prematurely, else we might not have had enough crew to make it comfortably back to port. Over forty Russian tribesmen bravely gave their lives to science this day – a terrible tragedy; They will surely be expensive to replace.
Also lost was an entire crate of ether, carelessly dropped from the edge of a berg in the midst of today’s activities – the most terrible happening of the entirety of our icy adventure.
Nevertheless, we saw many wondrous and splendid things this day: creatures and landscapes from the aether danced and swam about us through the air, and we saw the laws of our world temporarily suspended by those of the aether world.
It leaves me to wonder: How closely does the placement of their world correspond with ours? Are these same creatures to be found elsewhere on our planet, or would we perhaps find other inhabitants should the machine be tested in new locations?
What sorts of wondrous and unique beasts might we see in other locations? What splendid things might we discover in the aetherworlds of Beijing, Hong Kong, Indonesia, London, or perhaps New York City?
Needless to say, I am beyond eager to see!”
- Professor Aden M. Kemy, Miskatonic Archivist
These metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years.
Limited Edition of 100, signed and numbered.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Antarctic Experiment 5 x 5 Mini Metallic Print
“All in all, the experiment was a brilliant success, though it ran for a shorter time than desired.
Ultimately, the machine had to be shut down prematurely, else we might not have had enough crew to make it comfortably back to port. Over forty Russian tribesmen bravely gave their lives to science this day – a terrible tragedy; They will surely be expensive to replace.
Also lost was an entire crate of ether, carelessly dropped from the edge of a berg in the midst of today’s activities – the most terrible happening of the entirety of our icy adventure.
Nevertheless, we saw many wondrous and splendid things this day: creatures and landscapes from the aether danced and swam about us through the air, and we saw the laws of our world temporarily suspended by those of the aether world.
It leaves me to wonder: How closely does the placement of their world correspond with ours? Are these same creatures to be found elsewhere on our planet, or would we perhaps find other inhabitants should the machine be tested in new locations?
What sorts of wondrous and unique beasts might we see in other locations? What splendid things might we discover in the aetherworlds of Beijing, Hong Kong, Indonesia, London, or perhaps New York City?
Needless to say, I am beyond eager to see!”
- Professor Aden M. Kemy, Miskatonic Archivist
These metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Machine 48 x 24 Limited Signed Steampunk Art Giclee on Canvas
This is the second painting in the strange-fiction steampunk art series “Airships and Tentacles” wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle. Reduced by over $70 through November.
The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gadreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft. Ghostly figures twist and turn within the mists, clouds, icebergs, and waves.These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Machine 24 x 16 Metallic Open Edition Print
The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gabreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft.
This is the Second painting and the Second work in the collection “Airships and Tentacles” wherein Vernian and Lovecraftian influences intermingle. It is an image both lampooning and celebrating the wreckless spirit of adventure of Victorian and Edwardian-Era century explorers.These metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Machine 36x24 Limited Signed Metallic Print
This is the second painting in the strange-fiction steampunk art series “Airships and Tentacles” wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.
The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gadreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft. Ghostly figures twist and turn within the mists, clouds, icebergs, and waves.
These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality heavyweight metallic stock, coated with a UV/scratch/moisture resistant protective layer, with an archival-rating at about 200+ years. They are hand-signed, and gallery-wrapped. They are documented with a signed and hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.
The printed area on this metallic print is 34×17 inches, made to match the size constraints of the 36×24 inch “the Rescue” Metallic prints. The limited run of metallics for “the Rescue” sold out in a week, which saddened me a bit because I didn’t even get to keep one for myself and because felt a bit bad for the people who wanted them but couldn’t get them. So, instead of a limited run of 20 + II, I am doing a Limited run of 50 for these.
I have also, to make room for this limited edition, completely cancelled the Limited run of 100 giclees on fine art rag paper, only having sold the two artists prints (I and II). Those two prints, are now incredibly beyond unique and rare.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
Uxia 8x10 inch metallic
This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
Uxia 9x12 inch signed limited giclee on rag paper
Each of these 25 giclees, inspired by H.P. Lovecraft’s Shadow Over Innsmouth and the Dagon movie it spawned, is printed on heavy fine-art rag paper in Epson Ultrachrome k3 archival pigment inks, hand signed, dated, and numbered in the margin by Myke Amend.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
20,000 Leagues Under Original Engraving
Framed in a solid wood fram hand-crafted by Myke Amend, total size Framed: 8×11.
This fine engraving depicts a rather Lovecraftian creature of the deep embracing a submersible craft, much like the Nautilus of Jules Verne’s 20,000 Leagues Under the Sea.Atop the oceanic mountain in the far background rests an ancient and forgotten temple, marked at its entrance by the sigil of Dagon.Though small, these engravings are so incredibly detailed, that no web image could ever do them justice. Rest assured, this is a very fine piece of work, and very skillfully crafted.Properly matted and framed, it would make an excellent addition to any space.These engravings are done on archival claybord – a thick, tempered archival hardboard layered with archival white clay and india ink, all acid-free. The archival rating on these pieces is 200+ years.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Temple 11x14 Open Edition
When the last of the royal fleet fell fiery into the waiting fog and mist, we were sure we were home free; It was then that we spotted the temple, which was not fashioned, but formed in molten fire of shimmering basalt. There it stood, millennia-old, perched atop hexagonal pillars, calling to be explored.
A finely detailed pirate airship in a fog of wispy swirls and whorls passes by a ages-forgotten temple in the cliff-top mists.
The original is 12×9 inches, highly detailed, micro-fine line engraving; Though it translates well to screen resolution, looking at the prints or the original are an entirely new experience.
The Metallics are open edition and printed on heavy archival professional metallic photographic paper.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Temple 11x14 Signed Numbered Limited Giclee
When the last of the royal fleet fell fiery into the waiting fog and mist, we were sure we were home free; It was then that we spotted the temple, which was not fashioned, but formed in molten fire of shimmering basalt. There it stood, millennia-old, perched atop hexagonal pillars, calling to be explored.
A finely detailed pirate airship in a fog of wispy swirls and whorls passes by a ages-forgotten temple in the cliff-top mists.
There is a limited run of only 35 giclees.
The original is 12×9 inches, highly detailed, micro-fine line engraving; Looking at the prints or the original are an entirely new experience.
The Giclees are printed at 12×9 inches in archival inks on fine art rag paper with a one-inch border all-around (making the print 14×11 inches); They are signed, numbered, and dated by the artist lightly within the margin.
200 Years Archival
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Rescue 4x6 Metallic Mini Print
The original painting was commissioned for Robert of Abney Park, and it includes the HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.
These reproductions are printed in Epson Ultra Chrome k3 archival inks on high-quality matte heavyweight stock. They are uv-sealed, scratch and moisture resistant, and have a longevity of about 200+ years.The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
The Temple 7x5 Open Edition
When the last of the royal fleet fell fiery into the waiting fog and mist, we were sure we were home free; It was then that we spotted the temple, which was not fashioned, but formed in molten fire of shimmering basalt. There it stood, millennia-old, perched atop hexagonal pillars, calling to be explored.
A finely detailed pirate airship in a fog of wispy swirls and whorls passes by a ages-forgotten temple in the cliff-top mists.
The original is 12×9 inches, highly detailed, micro-fine line engraving; Though it translates well to screen resolution, looking at the prints or the original are an entirely new experience.
The Metallics are open edition and printed on heavy archival professional metallic photographic paper.
“Open Edition” is not a guarantee that I will carry them forever, or even for years – but simply stating that they are available, for as long as I choose to offer them. Though not limited and signed, they are beautiful prints – and like everything I sell, very high quality, and 80 to 200 years archival (depending on uv exposure).
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
Uxia 4x5 inch metallic mini
This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
Uxia Original Engraving
9×12 inches on Ampersand Art Clayboard Black. Archival life: 200+ years.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
See Monkeys 11x14 Limited Edition Giclee on Fine Art Rag
“I believe they may be intelligent lifeforms of some sort… or at least they show some signs of intelligence. Note the craftsmanship, the artful beauty, the symmetry… It is a wonder they put so much care into the packaging of mere food. That it can reach us from the surface in such excellent condition, still fresh and living, is indeed impressive. I look forward to the time when they finally make contact. I am already, most certainly, impressed by their offerings”
- Enkielle, priestess of Dagon
Watermarks do not appear on actual print.
Printed at roughly 12×9 inches in archival inks on fine art rag paper with a one-inch border all-around (making the print 14×11 inches).
Signed, numbered, and dated by the artist lightly within the margin. There is a limited run of 35 giclees.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
See Monkeys 6x9 Metallic Print
“I believe they may be intelligent lifeforms of some sort, at least they show some signs of intelligence. Note the craftmanship, the artful beauty, the symmetry… It is a wonder they put so much care into the packaging of mere food. That it can reach us from the surface in such excellent condition, still fresh and living, is indeed impressive. I look forward to the time when they finally make contact. I am already most certainly impressed by their offerings”
- Enkielle, priestess of Dagon
Watermarks do not appear on actual print.
Printed at in archival inks on heavyweight professional metallic stock, coated in a uv-protective and scratch-resistant coating. Archival rating 100+ years.
More Details
Details about the different print types, their quality, handling recommendations, how they are shipped can be found HERE
Details about Limited Editions, their exclusiveness, and their certification can also be found on the same page HERE
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