A.P.s and early edition numbers going to the first takers.

This is the fifth painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

This one leans a lot more toward my old surreal style, with some elements of older paintings hidden within the sands, such as a sand-storm buried nautilus, and strange shells woven into the stone. The somewhat serene piece is offset and accented by a very active lightning field in the distant background - cages on chains float like balloons on the horizon, a strange sphynx guards the pass, and shadows become starry skies. There are many more hidden details within this piece, and I only outlined the more obvious ones - as with all my paintings, this is an image you can revisit many times of many days to find new and equally strange things within.

These 50 giclees are printed full size in Epson Ultra Chrome k3 archival inks on high-quality heavyweight canvas, coated with a UV resistant protective varnish, with an archival-rating at about 200+ years. They are hand-signed, and gallery-wrapped. They are documented with a signed and hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

On sale through November, reduced by over $40.

This is the fourth painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The airship is set against a calm and cloudy sky, and white stone mountains, in the mid ground blow blossoms from the foreground trees, tentacles subtly hidden within the flowers, trees, mist and fog.

The pink tentacles, scarlet flowers, and protruding ship mast would make Freud very happy; The warm colors of this piece make for a light and open feel, and the subtle earthen tones will pull this work together with most any decor scheme.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

This is the second painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle. Reduced by over $70 through November.

The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gadreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft. Ghostly figures twist and turn within the mists, clouds, icebergs, and waves.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

On sale through November, Reduced by over $30.

This is the third painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

Squid-like cephalopods swim through the air and fog in an endless field of floating icebergs, taunting these hapless airship explorers.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

If these are already sold out - try The Miskatonic Archive, the Etta Diem Etsy Store.

This is the first painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The original painting was commissioned for Robert of Abney Park, and it includes the airship: HMS Ophelia as well as a Jules Vernian submarine, some Lovecraftian influences.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

The HMS Ophelia is a trademark of Abney Park, as conceived and designed by Eliza Gauger. Abney Park is a Trademark of the Band Abney Park.

This is the first engraving in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle. It was the prototype for the same-named oil painting.

Printed area is 11 by 14 inches, with a border of roughly 2.5 inches all around (print size is roughly 16 by 20). It is printed on Hahnemuhle fine-art rag paper in archival pigment ink - and hand signed and numbered by the artist.

30 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio. This one was done as a sketch for a work in process (same-named painting).

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Printed area is 7 x 10, surrounded by a 1 inch border of the same beautiful, thick, durable woven paper that the giclee is printed on.

A giclee on 200 year archival fine art rag paper of one of my low brow mini paintings in the "Smile" series. 5x7 acrylic on canvas board. It depicts a diesel powered robot sifting through a scrap yard, and the strange alien invaders he has found.

Signed and numbered in the margin, limited run of 20.

One of my mini paintings from the ongoing series lowbrow art series "Smile".

Printed area is roughly 7x10 with a 1 inch border all around, as this thick and beautiful woven 200-year archival fine-art rag paper begs to be shown off.

This is blown up to 1.25 times the size of the original 5x7 painting, but given how small I work and how much detail I put in my pieces, it looks wonderful at this size.

20 of these will be printed - all will be signed and numbered, by the artist, in the margin. I will hand-embellish 3 of these, giving hand-embellished prints in place of the standad giclees, at random. For those selected, buyer has the option of choosing a standard print instead of a hand-embellished print... just in case.

"Missed Me" - one of my mini paintings in the ongoing series of lowbrow paintings, "Smile".

Printed area is roughly 7x10 with a 1 inch border all around, as this thick and beautiful woven 200-year archival fine-art rag paper begs to be shown off.

This is blown up to 1.25 times the size of the original 5x7 painting, but given how small I work and how much detail I put in my pieces, it looks wonderful at this size.

20 of these will be printed - all will be signed and numbered, by the artist, in the margin. I will hand-embellish 3 of these, giving hand-embellished prints in place of the standad giclees, at random. For those selected, buyer has the option of choosing a standard print instead of a hand-embellished print... just in case.

Limited to 20 pieces. Each is hand-signed and hand-numbered in the margin.

This horror art piece was  the prototype painting for the exterminating angel painting. It was painted in four parts... a quadtych of some strange sort.

This edition is printed on 200-year archival Hahnemuhle Fine Art Rag Paper and hand-signed in pencil within the margin. There is a 2-inch border on this print.

** Orders outside the US are shipped Unstretched and Unmounted to reduce shipping.

Limited run of only 25 on Canvas, signed and hand-numbered. With a hologrammed certificate of authenticity and matching serialized hologram on the print.

Printed at 32 x 20 inches, this is a fine art Giclee print of the original painting from Myke Amend - a beautiful, serene, and equally strange piece, with bizarre lighting and shadow effects which make some objects and figures seem to lean out of the painting.

This surreal piece is heavily-influenced by "Spirit Walking" ("long-term sleep deprivation" as we like to call it).

These 25 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed by the artist. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work. These shipped rolled, but stretching/mounting (side wrapped or gallery wrapped) is available for US buyers.

**Important: Overseas giclees are sent unstretched, unmounted to reduce shipping costs.

A lonely cliff scene (Half Moon Rock in the Historic Daniel Boone Forest), serene and violent at the same time. A silhouetted figure throws roses into the wind brought by a not-too-distant storm on the horizon.

These 30 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

If these are already sold out - try The Miskatonic Archive, the Etta Diem Etsy Store.

There is a 1-inch border on this print, making the total size 11x14 inches. Limited edition size: 25 prints.

Tiki Culture meets H.P. Lovecraft inspired Cthulhu art - this piece was done at my table at the Pittsburgh comic con, and was the result of tiki on my brain from my Los Angeles trip.

This edition is printed on 200-year archival Hahnemuhle Fine Art Rag Paper and hand-signed in pencil within the margin.

Edition is signed, numbered and dated within the margin. Edition size is 20 pieces.

Scratched into a mysterious sort of black board, this piece was found in the ashes of a funerary pyre at bohemien grove.

Another piece marked by Myke Amend, artificer, it is beginning to seem quite strange that his works are popping up at every dig site and at the centre of our every investigation. Nonetheless, our duty is to furnish you with only the best duplications, of everything our museum has to offer.

This edition is printed on 200-year archival Hahnemuhle Fine Art Rag Paper and hand-signed in pencil within the margin. There is a 2-inch border on this print.

Limited to 25 pieces. Each is hand-signed and hand-numbered in the margin.

Scratched into a mysterious sort of black board, this piece was found in the ashes of a funerary pyre at bohemien grove.

Another piece marked by Myke Amend, artificer, it is beginning to seem quite strange that his works are popping up at every dig site and at the centre of our every investigation. Nonetheless, our duty is to furnish you with only the best duplications, of everything our museum has to offer.

This edition is printed on 200-year archival heavyweight Fine Art Rag Paper and hand-signed in pencil within the margin. There is a 1-inch border on this print.

This lovecraftian edition is printed on 200-year archival professional metallic heavyweight paper, with a uv, scratch, moisture, and fingerprint-resistant luster coating.

Printed Area 12x15 inches. Limited to 25 pieces. Each is hand-signed and hand-numbered in the margin.

This edition is printed on 200-year archival Fine Art Rag Paper and hand-signed in pencil within the margin. There is a 1-inch border on this print.

An image of Western Exploration, Expansionism and Imperialism colliding with the innocence of tribal life and sensibilities in a virgin land. Galleons presented as strange monsters seen at night from a tranquil shoreline, thrash through the endless sea against stormy skies.

This was one of my earliest engravings. With the original done at a slightly smaller 8x10 inches, these enlarged prints showcase intensive detail from any viewing range near or far, and are printed on quality 200-year archival heavyweight fine art paper in archival black pigment ink.

Printed area is 11x14 inches, with a border of 1 inches all around (print size is roughly 13 by 16).

Only 35 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Printed area is 9 x 12 inches, with a border of 1 inches all around (print size is 11x14). It is printed on heavyweight fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist.

Only 25 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

This one is a little bit 80's, which I enjoyed doing.

Printed area is 9 x 12 inches, with a border of 2.5 inches all around (print size is 11 by 14). It is printed on Hahnemuhle fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist.

Only 25 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

This one was done for Beth, who likes Pineapples.

Printed area is 8 x 10 inches, with a border of 1 inches all around (print size is 10 by 12). It is printed on Hahnemuhle fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist.

Only 35 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Though they were all done within the span of a couple of months, this was done on a whim, Lovecraft inspired.

A cute Cthulhu atop a basalt monolith against a sea of golden stars - This Lovecraft inspired art looks exceptionally beautiful on the metallic paper, and tends to be a favorite at horror ans sci fi conventions.

Printed area is 9 x 12 inches, with a border of 1 inches all around (total print size is 11 by 14). It is printed on fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist. Each is individually decorated (embellished) by hand by the artist with gold leaf, each is also signed and numbered in the margin.

Only 50 of these are to be printed, each is a unique work of art different from each of the others.

This one was done while in California, and named for two specialty drinks at Tiki Ti's in North Hollywood.

Printed area is 6.5 by 9 inches, with a border of 1 inches all around (print size is roughly 8.5 by 11). It is printed on Hahnemuhle fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist.

20 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Though they were all done within the span of a couple of months, this is one of the earliest of them all.

Printed area is 11 by 14 inches, with a border of 1 inches inches all around (print size is roughly 13 by 15). It is printed on Hahnemuhle fine-art rag paper in archival pigment ink - and hand signed and numbered by the artist.

30 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Printed area is 7 by 10 inches, with a border of 1 inches all around (print size is 9 by 12). It is printed on Hahnemuhle fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist.

25 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Though they were all done within the span of a couple of months, this is one of the very earliest of them all.

I did this one while coloring a page for Voltaire's "Deady Bear" comic book. My coloring on that issue was however rejected - as I went so overboard trying to impress him with my coloring and shading skills, that I lost sight of the fact that it needed to mesh with the other pages (i.e. same coloring style).

Printed area is 9 by 12 inches, with a border of 1 inches all around (11x14 total size). It is printed on Hahnemuhle fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist.

25 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Though they were all done within the span of a couple of months, this is one of the very earliest of them all - my first being a remake of Gustave Dore's "the Raven" (done to decorate my own wall). This was my third lifetime go at engraving.

Printed area is 9 by 12 inches, with a border of 1 inches all around (print size is roughly 11 by 14). It is printed on Hahnemuhle fine-art rag paper in archival black pigment ink - and hand signed and numbered by the artist.

30 of these are to be printed.

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Though they were all done within the span of a couple of months, this is one of the very earliest of them all - This was, I think, my 5th such go at engraving.

I was stranded in an ice storm in deepest, darkest Missouri at the time - power was out almost statewide, weeks I in our region. I was reading whatever books were handy, and thinking of someone who was on the other side of 20 miles of fallen trees, darkness, and panicked people. These particular scene out of C.S. Lewis' Perelandra" struck an accord with me.

From the engraving. Printed on Hahnemuhle fine art rag paper in black pigment inks, signed and numbered. Printed 9x12 with a vorder of 1 inches all-around (total size 11x14)

Edition Size: 35

Printed on Hahnemuhle fine art rag paper in black pigment ink. Hand-signed and numbered.

Each of these 25 giclees, inspired by H.P. Lovecraft's Shadow Over Innsmouth and the Dagon movie it spawned, is printed on heavy fine-art rag paper in Epson Ultrachrome k3 archival pigment inks, hand signed, dated, and numbered in the margin by Myke Amend.

Edition Size: 25

The gun-slinging rogue preacherman, mechanized and given the steampunk aesthetic.

Printed on Hahnemuhle Fine Art Rag Paper. Hand signed and numbered in the margin. Print size is 11x14 inches with a one-ince border all around.