Prints (Mixed Media)

The original was drawn in pen and ink on 11×14 inch Bristol Board, I did the coloring with my 4-year old Adesso drawing tablet so as to preserve the pen and ink original.

The Black and White version is the Cover for Gatehouse Gazette #14, my third cover for them.

I am making only 20 of these full-sized giclees. Total size with 1″ border is about 13×16 inches.

They are printed on cotton-weave fine art rag paper in archival pigment inks for the sort of superior clarity and color quality expected from a giclee print.

All giclees are pencil-signed, numbered, and dated, all in tiny handwriting, in the margin.

The original was drawn in pen and ink on 11×14 inch Bristol Board, I did the coloring with my 4-year old Adesso drawing tablet so as to preserve the pen and ink original.

The Black and White version is the Cover for Gatehouse Gazette #14, my third cover for them.

These are printed on heavyweight professional metallic stock at 8×10 inches

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

The gun-slinging rogue preacherman, mechanized and given the steampunk aesthetic.
t is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-resistant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

An earlier digital work. It is a bit on the dark and spooky side for most people, but a favorite of a special few.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a UV and scratch-resistant coating.

An earlier digital work. It is a bit on the dark and spooky side for most people, but a favorite of a special few.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a UV and scratch-resistant coating.

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

This piece is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.
The image for this piece is changed each year. Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print. I wouldn’t go so far as to name it a “Limited Edition”, as there is no set number – but last year’s prints of this image will never again be available, nor the year prior, etc..

There are just black holes/ Where the stars would be watching/ just black holes where the stars should have been

A dark-eyed, and seemingly soulful being, receives orders by way of feathered messenger.
Detailed and perhaps a bit alarming, this piece was beamed to us from the farthest reaches of the aether, seemingly as a warning of events yet to unfold, and in this – as a testament to the importance of our research at the Miskatonic Archive.
Bearing the seal and sigil of one “Myke Amend”, artificer, and graphical alchemist, we are proud to present this uniquely prophetic image in our gallery. I use that word loosely, as this piece apparently has an expiration date of 11-11-11, even though 1911 has long-since passed.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

There are just black holes/ Where the stars would be watching/ just black holes where the stars should have been

A dark-eyed, and seemingly soulful being, receives orders by way of feathered messenger.
Detailed and perhaps a bit alarming, this piece was beamed to us from the farthest reaches of the aether, seemingly as a warning of events yet to unfold, and in this – as a testament to the importance of our research at the Miskatonic Archive.
Bearing the seal and sigil of one “Myke Amend”, artificer, and graphical alchemist, we are proud to present this uniquely prophetic image in our gallery. I use that word loosely, as this piece apparently has an expiration date of 11-11-11, even though 1911 has long-since passed.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

There are just black holes/ Where the stars would be watching/ just black holes where the stars should have been

A dark-eyed, and seemingly soulful being, receives orders by way of feathered messenger.
Detailed and perhaps a bit alarming, this piece was beamed to us from the farthest reaches of the aether, seemingly as a warning of events yet to unfold, and in this – as a testament to the importance of our research at the Miskatonic Archive.
Bearing the seal and sigil of one “Myke Amend”, artificer, and graphical alchemist, we are proud to present this uniquely prophetic image in our gallery. I use that word loosely, as this piece apparently has an expiration date of 11-11-11, even though 1911 has long-since passed.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.It is printed on heavy archival metallic professional photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.It is printed on heavy archival metallic professional photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.It is printed on heavy archival metallic professional photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

Edition Size: 25
The gun-slinging rogue preacherman, mechanized and given the steampunk aesthetic.Printed on Hahnemuhle Fine Art Rag Paper. Hand signed and numbered in the margin. Print size is 11×14 inches with a one-ince border all around.

Limited Edition of 20. This piece is printed on heavy archival 200-year high-bright point fine art rag paper in Epson Ultrachrome k3 archival pigment inks, and is signed, numbered, and dated by the artist.
This image is the only image where my “no later editions” rule does not apply, but later editions will not be like this edition.
The image for this piece is changed each year – I add new touches to it, work on it a little bit more – typically, but not always near New Year’s Eve.
Previous versions had less straps and buckles, different effects on the hair, etc… it is an ongoing evolving print.
Last year’s prints of this image will never again be available, nor the year prior, etc.. and I might not always sell the entire run. The imahe for the previous year is destroyed in the process of making the image for the new year.

Limited Edition of 20. Printed area is 12×18 with a one inch border all around.
An earlier digital work. It is a bit on the dark and spooky side for most people, but a favorite of a special few.It is printed on heavy 200-year archival fine art rag paper in Epson Ultrachrome k3 archival inks – signed, numbered, and dated within the margin.

An earlier digital work. It is a bit on the dark and spooky side for most people, but a favorite of a special few.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a UV and scratch-resistant coating.

The gun-slinging rogue preacherman, mechanized and given the steampunk aesthetic.
It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-resistant, and moisture resistant coating.

The gun-slinging rogue preacherman, mechanized and given the steampunk aesthetic.
t is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-resistant, and moisture resistant coating.

20 of these will be printed on 200-year archival fine art rag paper, each hand-signed, numbered, and dated by Myke Amend.
This piece is about a mechanical dragonfly making a nymph from spare parts, and vaguely about creations having a life of their own, as well as being about the creative process itself.

There are just black holes/ Where the stars would be watching/ just black holes where the stars should have been

20 of these giclees are available, printed on heavyweight 200 year archival fine art rag paper.Each is hand-signed, dated, and numbered by Myke Amend. Printed area is 12×16 with an added one inch border all-around.
A dark-eyed, and seemingly soulful being, receives orders by way of feathered messenger.
Detailed and perhaps a bit alarming, this piece was beamed to us from the farthest reaches of the aether, seemingly as a warning of events yet to unfold, and in this – as a testament to the importance of our research at the Miskatonic Archive.
Bearing the seal and sigil of one “Myke Amend”, artificer, and graphical alchemist, we are proud to present this uniquely prophetic image in our gallery. I use that word loosely, as this piece apparently has an expiration date of 11-11-11, even though 1911 has long-since passed.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival pigment inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival fine art paper in Epson Ultrachrome k3 archival pigment inks, signed, dated, and numbered by Myke Amend

As rich in detail as it is in mystery, this piece was acquired by the Miskatonic Archive through metaphysical and electronical means due to a strange glitch in the aether, and perhaps in turn due to a faulty tube or misplaced artifact. It bears the seal and sigil of one “Myke Amend”, a strange being, presumed to be an artificer from neither future nor past nor present, but someplace sideways and otherly.It is printed on heavy archival metallic photostock in Epson Ultrachrome k3 archival inks, coated with a uv-protective, scratch-restant, and moisture resistant coating.