Limited Edition of 25

Watermarks do not appear on actual print.

Print is 8.5x11 (printed at roughly 9x6.5 inches in archival inks on fine art rag paper with a one-inch border all-around). Signed, numbered, and dated by the artist lightly within the margin.

A mechanical alien army marches on planet earth as tentacles probe the ground and sky in the shadows. Airships save the day! Maybe! This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5x7 engraving to better showcase the extensive detail within this work.

Watermarks do not appear on actual print.

Print is 5x7 inches in archival inks on heavy professional metallic stock.

A clockwork cat rests in classic pose upon a rocker arm in a clocktower amidst turning gears and moving pistons. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5x7 engraving to better showcase the extensive detail within this work.

Watermarks do not appear on actual print.

Print is 5x7 inches in archival inks on heavy professional metallic paper.

Cover illustration for the October issue of Gatehouse Gazette, a dieselpunk, steampunk, and pulp magazine. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears.

Watermarks do not appear on actual print.

Print is 5x7 inches in archival inks on heavy professional metallic stock.

Armies from the moon attack planet earth! Resistance is meh!

Watermarks do not appear on actual print.

Limited Edition of 25

Printed at 6.5x9 inches in archival inks on fine art rag paper with a one-inch border all-around (print is 8.5x11). Signed, numbered, and dated by the artist lightly within the margin.

Cover illustration for the October issue of Gatehouse Gazette, a dieselpunk, steampunk, and pulp magazine. This is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5x7 engraving to better showcase the extensive detail within this work.

Limited Edition of 25

Watermarks do not appear on actual print.

Print is 8.5x11 (printed at roughly 9x6.5 inches in archival inks on fine art rag paper with a one-inch border all-around). Signed, numbered, and dated by the artist lightly within the margin.

A clockwork mechanical cat rests in classic pose upon a rocker arm in a clocktower amidst turning gears and moving pistons. Inspired by the Cheshire cat of Alice in Wonderland, this is a very, very finely detailed piece, down to the ornamental plates of metal and intricately decorated gears. Slightly larger than the original 5x7 engraving to better showcase the extensive detail within this work.

You can buy these unsigned and undoodled in directly through ModoFly at Modofly.net for 36 dollars (US).

These are comparible to Moleskines, and are really, really nice (and really unique) journals.

Be sure to specify in the notes for this item how you would like to have it signed, and whether you prefer a ruled or sketchbook version.

You can buy these unsigned and undoodled in directly through ModoFly at <a href="http://modofly.myshopify.com/search?q=myke+amend">Modofly.net</a> for 36 dollars (US).

These are comparible to Moleskines, and are really, really nice (and really unique) journals.

Be sure to specify in the notes for this item how you would like to have it signed, and whether you prefer a ruled or sketchbook version.

You can buy these unsigned and undoodled in directly through ModoFly at <a href="http://modofly.myshopify.com/search?q=myke+amend">Modofly.net</a> for 36 dollars (US).

These are comparible to Moleskines, and are really, really nice (and really unique) journals.

Be sure to specify in the notes for this item how you would like to have it signed, and whether you prefer a ruled or sketchbook version.

You can buy these unsigned and undoodled in directly through ModoFly at <a href="http://modofly.myshopify.com/search?q=myke+amend">Modofly.net</a> for 36 dollars (US).

These are comparible to Moleskines, and are really, really nice (and really unique) journals.

Be sure to specify in the notes for this item how you would like to have it signed, and whether you prefer a ruled or sketchbook version.

This is the second painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The original painting was commissioned for Josh Pfeiffer of Vernian Process for the album "Behold the Machine", and it includes the HMS Gadreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft. Ghostly figures twist and turn within the mists, clouds, icebergs, and waves.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are stretched and mounted, uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

This is the third painting and the fourth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle. It is an image both lampooning and celebrating the wreckless spirit of adventure of Victorian and Edwardian-Era century explorers.

These metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality professional heavy-weight metallic stock. They are uv-sealed for a longevity of about 200+ years.

This is the fourth painting and the fifth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle.

The airship is set against a calm and cloudy sky, and white stone mountains, in the mid ground blow blossoms from the foreground trees, tentacles subtly hidden within the flowers, trees and fog.

There is a touch of sensuality in the pink tentacles, scarlet flowers, and protruding ship mast; The warm colors of this piece make for a light and open feel, and the subtle earthen tones will pull this work together with most any decor scheme.

These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality heavy metallic stock, uv-sealed for a longevity of about 200+ years, hand-signed. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

If these are already sold out - try The Miskatonic Archive, the Etta Diem Etsy Store.

Purchase allows you 1 download plus 2 additional download attempts/redownloads.

Only legal tender for postage within the Allied Federation of Vernian States, no cash value.

80 days shipping is subject to terms and conditions, those terms and conditions being that this service does not actually exist.

These stamps are best used as scrapbook accents or for decorating hand-delivered envelopes. Twenty 1.75 inch stamps print for sheet printed, though at this resolution, you can print almost twice the standard size and still get decent (but larger) stamps.

Download size is 2.61 MB - For full terms of use, click "more info" below.

Presale Price valid through August 1st - Ships August 5th

This is the fourth painting and the fifth work in the collection "Airships and Tentacles" wherein Vernian and Lovecraftian influences intermingle.

The airship is set against a calm and cloudy sky, and white stone mountains, in the mid ground blow blossoms from the foreground trees, tentacles subtly hidden within the flowers, trees and fog.

There is a touch of sensuality in the pink tentacles, scarlet flowers, and protruding ship mast; The warm colors of this piece make for a light and open feel, and the subtle earthen tones will pull this work together with most any decor scheme.

Printed on heavy archival metallic stock in archival pigment inks, coated with a UV, moisture, and scratch-resistant coating for added durability and lifespan.

On sale through November, reduced by over $40.

This is the fourth painting in the strange-fiction steampunk art series "Airships and Tentacles" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The airship is set against a calm and cloudy sky, and white stone mountains, in the mid ground blow blossoms from the foreground trees, tentacles subtly hidden within the flowers, trees, mist and fog.

The pink tentacles, scarlet flowers, and protruding ship mast would make Freud very happy; The warm colors of this piece make for a light and open feel, and the subtle earthen tones will pull this work together with most any decor scheme.

These 50 giclees are printed in Epson Ultra Chrome k3 archival inks on high-quality 350 g/m² gloss canvas. They are uv-sealed for a longevity of about 200+ years, hand-signed, and gallery-wrapped. They are documented with a hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

Three 5x7 metallic prints, printed on heavy 200-year archival professional metallic stock in archival pigment inks, coated with a uv, moisture, and scratch resistant coating.

The Smile series is from a same-named series of miniature paintings from Myke Amend, all 5 inches by 7 inches in acrylic on canvas.

Smile series 1, also intended to be kid-friendly, was perhaps a bit on the creepy side with the blood and all - but this series is much brighter and happier, and not so incredibly creepy... though Myke may argue to the contrary because smiles really creep him out.

One of my mini paintings from the ongoing series lowbrow art series "Smile".

Printed area is roughly 7x10 with a 1 inch border all around, as this thick and beautiful woven 200-year archival fine-art rag paper begs to be shown off.

This is blown up to 1.25 times the size of the original 5x7 painting, but given how small I work and how much detail I put in my pieces, it looks wonderful at this size.

20 of these will be printed - all will be signed and numbered, by the artist, in the margin. I will hand-embellish 3 of these, giving hand-embellished prints in place of the standad giclees, at random. For those selected, buyer has the option of choosing a standard print instead of a hand-embellished print... just in case.

A printing of one of my mini paintings in the "Smile" series.

Printed 5x7 on metallic archival stock with a luster uv, moisture, and scratch resistant finish

"Missed Me" - one of my mini paintings in the ongoing series of lowbrow paintings, "Smile".

Printed area is roughly 7x10 with a 1 inch border all around, as this thick and beautiful woven 200-year archival fine-art rag paper begs to be shown off.

This is blown up to 1.25 times the size of the original 5x7 painting, but given how small I work and how much detail I put in my pieces, it looks wonderful at this size.

20 of these will be printed - all will be signed and numbered, by the artist, in the margin. I will hand-embellish 3 of these, giving hand-embellished prints in place of the standad giclees, at random. For those selected, buyer has the option of choosing a standard print instead of a hand-embellished print... just in case.

One of my mini paintings in the "Smile" series.

Printed 5x7 on metallic archival stock with a luster uv, moisture, and scratch resistant finish

Printed area is 7 x 10, surrounded by a 1 inch border of the same beautiful, thick, durable woven paper that the giclee is printed on.

A giclee on 200 year archival fine art rag paper of one of my low brow mini paintings in the "Smile" series. 5x7 acrylic on canvas board. It depicts a diesel powered robot sifting through a scrap yard, and the strange alien invaders he has found.

Signed and numbered in the margin, limited run of 20.

One of my mini paintings in the "Smile" series.

Printed 5x7 on metallic archival stock with a luster uv, moisture, and scratch resistant finish

Printed area is 5 x 4 inches

A cropping of the Gadreel from the "behold the Machine" painting.

Printed area is 4x5 inches

I did a number of these engravings as a set, partially as a practice run at intaglio. This one was done as a sketch for a work in process (same-named painting).

The originals are done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Printed area is 5 x 4 inches

A cropping of the sea serpent from the "behold the Machine" painting.

Printed on heavyweight metallic photographic professional 180 year archival photographic stock with a uv-resistant protective coating.

This fine engraving depicts a rather Lovecraftian creature of the deep embracing a submersible craft, much like the Nautilus of Jules Verne's 20,000 Leagues Under the Sea.

Atop the oceanic mountain in the far background rests an ancient and forgotten temple, marked at its entrance by the sigil of Dagon.

Printed area is 5 x 7 inches

I did a number of these engravings as a set, partially as a practice run at intaglio.

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.

Printed on heavyweight metallic photographic professional 180 year archival photographic stock with a uv-resistant protective coating.

This fine engraving depicts a rather Lovecraftian creature of the deep embracing a submersible craft, much like the Nautilus of Jules Verne's 20,000 Leagues Under the Sea.

Atop the oceanic mountain in the far background rests an ancient and forgotten temple, marked at its entrance by the sigil of Dagon.

Printed area is 5x7 inches.

I did a number of these engravings as a set, partially as a practice run at intaglio. This one was done as a sketch for a work in process (same-named painting).

They were done on Ampersand Art clayboard: an archival tempered hardboard surface coated in white clay and india ink.