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Black Ships Ate the Sky

I started this, thinking I was going to take an 8×10 pencil sketch and make a neat water-colory looking piece of it, or maybe just smooth it out and make some edits.

I began by making it 16×20 at 400 DPI, and then took to smoothing out all of my pencil grainy-ness. I chose this size, because I like my works to be high resolution, and my prints to be perfect – I also always consider that I might finish a piece, and then wish I had made it available much bigger.

The downside to working digital for me, is that can I zoom in to where I can see the individual pixels when it comes to detail… I begin just doing this for one part, then realize that the entirety of the work now needs to be in this ultra-high resolution – and set off on a journey of exploring a miles-square map of pixels for.. as long as it takes… in this case, over 300 hours I really did not have to spare. I think I spent nearly two weeks planning on being done “tomorrow”.

It was certainly a way to indulge though – as an artist these days, I don’t always get the chance to put so much work into one piece – though I do put a tremendous amount of work into every one comparatively.

From pencil sketch, to over 2 gigs of file size, hundreds of layers of painted elements, plus all the modification layers for overlay, lightening, darkening, color, multiplication, saturation, etcetera…

About a day or two in, I decided it would be a great idea to actually log the process for this one… and I saved a lot of progress pics.  Below, you can actually see the details of the finished piece. One thing with all of my paintings and other images: Web resolution will never let you see how packed with detail every inch is, or all of the interesting scenes, items, and mini-artworks semi-hidden throughout the painting.

Below that, I’ve added my progress pics – for people who are interested by such things.

Oh… if you would like to buy printings of this: There are giclees available in my store – There are also poster prints and photographic prints available at our Redbubble shop – Also in my DeviantArt account.

Image and details:


Progress Pics:


A rather rough sketch… these were quickies done for $25 a pop for bus fare a year or so back. The paper type really did not allow for erasing, so they were one-shot deals. I liked the concept and base layout enough, I thought I would do some digital work on it to make it print-ready.


A lot of steps went by before I realized it was going to be a much bigger project than I planned. It was the point where I was fleshing out this airship where I decided some screen caps would be good. I had started on the girl, switched to the airship, cut my pencil work out to its own layer, and placed other airships where I wanted them, as placeholders for the sake of layout.

I blacked out the girl for this stage, I didn’t want its pencily quality drawing my focus from the background I was working on.


head/face. This part took all of my night – so not much else has changed.


boots and leggy things… I put a lot of base work into this, then decided I would need to enlarge the feet, and widen and lengthen the lower legs. I write notes to myself whenever there is something important I want to hit first thing the next day… you’ll see these notes in other screen caps below.


The very beginnings of the holster and belt… I would later go in further, and further, sharpening up these details, then making details within these details… and sharpening those up. Oh, you can also see the base/beginning brushings of her stripey-pants.

… and done.

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The Kiss

Since it is so cold in here, that paint won’t even properly cure, I’ve decided this week to revisit a number of those things I put on hold over the summer, things which needed some digital treatment to be complete.

This illustration is a scene from Dexter Palmer’s novel “The Dream of Perpetual Motion”, originally done for web resolution, I have had this piece slated for repainting for some time now, and finally I’ve finished it, and on a big scale- since it was my very favorite from the set.

This print is finally available as a *huge* 16×20 inch giclee on fine art rag paper (here), and as an 11×14 metallic print (here).

The Kiss - Digital Painting by Myke Amend for Dexter Palmer's The Dream of Perpetual Motion
Full View
The Kiss - Digital Painting by Myke Amend for Dexter Palmer's The Dream of Perpetual Motion
Detail One
The Kiss - Digital Painting by Myke Amend for Dexter Palmer's The Dream of Perpetual Motion
Detail two
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Some Day I Will Never Grow Up

SomeDay I Will Never Grow Up
SomeDay I Will Never Grow Up - Acrylic on Wood Panel Painting by Myke Amend (click for larger view)

The original was painted on a wood panel cabinet I hand-made for the purpose of doing this painting. I’ll be finishing up the cabinet when I return home.. I can’t tell you what I’ll be filling the cabinet with – but when the construct is done, I will have had a lot of fun making things to fill it with.

Though the cabinet is not done, the painting part of it is, and it was lovingly, carefully scanned for truest color and detail, and printed as a giclee for the best, most highly-detailed and most brilliant reproduction quality.

Someday I will Never Grow Up Detail 1
Detail 1
Some Day I will Never Grow Up Detail 2
Detail 2
Some Day I Will Never Grow Up Detail 3
Detail 3

These are printed 12×18 (the original size of the work) on Canvas (for the optimal standard framing size), in archival pigment inks on 200+ year archival quality heavyweight cotton canvas. Each is coated with a UV, moisture, and scratch-resistant coating for added longevity.

25 total will be printed. All giclees on Canvas are shipped stretched and mounted withing the US, or rolled everywhere else (but you can arrange to receive a stretche copy if you wish to work out additional shipping).

Each is hand-signed, hand-numbered, and dated by Myke Amend. Each also comes with a certificate of authenticity. Both the artwork and the certificate have matching serialized holograms affixed to them (front of certificate, back of canvas) for added assurance and to protect the value of your print.

The Giclees on Canvas are available here: 12×18 Giclee on Canvas

***Also Available***

1) a 16×20 OPEN edition SIGNED giclee on fine art rag paper. No guarantee how long they’ll be available, but they are not as limited as the giclees on canvas.

2) a 9×12 metallic print of this same image, also open edition.