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Steampunk Tales 10

Steampunk Tales 10 Cover
Steampunk Tales 10 Cover

Steampunk Tales 10 (Featuring my cover) is out now – Lots of great reading, on your device of choice, for $2.99.

This piece is another digital work, something I rarely choose to do – one which I actually did have a lot of fun with. Woman, hair pins, Winchester rifle, guards… The story by G.D. Falksen, is a great story, but my particular episode of the serial was less action-packed and more intrigue. So, I went with the less action and more suspenseful story within the art, and am very happy with it.

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Full Steam Ahead

This piece was done earlier this year in pencil on bristol board; It was my intention to color all of these after the World Steam Expo, but one thing led to another and – well, I finally have this once all colored up.

The 11×14 black and white giclees of the original pencil drawing are still available (here), and there are only a handful of those left, but now available are 30 of these colored ones (here) – same size, printed in pigment inks on same high quality fine art rag paper. An open edition 8×10 metallic is also available (here)

MACH Turtle steampunk Alice in wonderland Alice through the looking glass panting by Myke Amend
MACH Turtle by Myke Amend
MACH Turtle Detail - steampunk alice in wonderland painting by Myke Amend
MACH Turtle Detail
MACH Turtle Detail - Steampunk Alice through the looking glass painting by Myke Amend
MACH Turtle detail 2
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The Art of Cirque A Circa

Cirque A Circa (A Circus Out of Time) is coming up fast, and with it our 121st Annual RetroNauticon – which is much like a convention, but without registration fees and admission fees.

In a work of art nearly the size of two football fields, we will have many performers throughout the ArtPrize competition. Performers include airial, fire-spinning, fire-eating, and other sideshow performances by Cassie Truskowski, Author Bethany Grenier, Local Artist Ted Jauw, and many others – as well as fashion shows, and of course music: Such as acts by Zoe Boekbinder of Vermillion Lies, and also by The Gypsy Nomads – a great band last seen (by us) at the World Steam Expo.

You may, or may not be able to make it – but this promotional art featuring the Art of Bethalynne Bajema, and Ted Jauw’s Cirque A Circa logo and the Love ambigram is well worth-grabbing while it is still available. Not only do you have the chance to snag some wonderful and rare art for a low price, but you get to take a part of this event by supporting the artists behind it… thereby supporting the event (not having to find and earn money to eat on allows us more time to put towards this monumental effort).

Special Prints for Cirque A Circa by Bethalynne Bajema
Special Prints for Cirque A Circa by Bethalynne Bajema

Not only is Bethalynne offering these limited edition images for a very low price on the CirqueACirca page (direct link to the shop), but she has a beautiful limited edition (limited to only 21 prints) 8×10 metallic from this series available on her site, here ($2o): http://bethalynnebajema.com/scriptorium/?page_id=42&category=9

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Art! Troglodites Hate It, but You’ll Love It!

Does your summer shelter need windows to elsewhere, but without that annoying heat caused by sunlight? Tired of the warmth radiated by television, computers, and other electronic devices? Would you like the have images to liven up your place, without the annoyance of sound, and without the pesky associated energy costs of batteries and outlets?

You should try “Art”!

Art is 100% energy efficient, requires no outlets, and will continue to work day or night, even during power outages and Zombie Apocalypse (natural light source required for optimal enjoyment). Unlike money, which depends on a reliable system of government, art can be traded for gold, tools, women, men, chickens, or circus bears in post-apocalyptic settings, save for those dominated by troglodites and C.H.U.D.s, and it even serves as highly-prized contraband in every dystopian oligarchal collectivist society.

Concerned about your safety? Well, with the wonder of art, most any dangerous beast or precarious situation can be safely contained within a handy frame (not included)!!! Art has, in many tests, been proven to contain everything from ravenous krakens to the Civil War; Even ancient gods have a significant amount of difficulty escaping the confines of a well-crafted image: Play your records backwards day or night next to art, and if your soul is devoured, or sanity eaten, refunds will be the last of your concerns, guaranteed!

Need a friend? You can talk to art. Art will never interrupt or recommend you get professional help. Art will never, ever eat the snacks that were obviously yours because you wrote your name all over it in red marker; Art will never go to a party without you and then say it was studying all night.

Need a better view? Dread the expense of moving? Is it illegal in your area to asplode that ugly neighboring house or apartment building? Replace that ugly view with an always-pleasant view of another world, no more wondering “What are they doing over there?”; With art you can overwrite their existence safely, and without the fuss of jail time or mental wards. You can even place Art in areas without windows for an easy-to-install added viewing space(“easy-to-install” requires some working understanding of hammer physics and wall technology)!!!

But wait! Art is now available with your choice of discounts!! Read below !!!

Both discounts are valid at http://www.mykeamend.com/new/products-page/ and are simple to claim (just key in the coupon codes below at checkout).

1) Free Shipping (USA on all standard items. Basically, $5 off – since my flat rate, site-wide price for shipping in the US is $5. For original artworks and overseas shipping, this coupon simply takes $5 off of shipping.

Just enter “freeship” (without the quotation marks) at checkout.

2) 10% off. Yep, 10% off your entire order, including original artworks and other one of a kind items. The 10% off even applies to already sale-priced items.

Just enter “10p” (without the quotation marks) at checkout.

Offers are valid now, through whenever, which will likely be a week from now… though you should jump on it now so you don’t forget later, miss out on this incredible deal, and spend eternity in regret as a whino or one of those people who scream threatening words at trash bins. Websites are standing by.

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Some Day I Will Never Grow Up

SomeDay I Will Never Grow Up
SomeDay I Will Never Grow Up - Acrylic on Wood Panel Painting by Myke Amend (click for larger view)

The original was painted on a wood panel cabinet I hand-made for the purpose of doing this painting. I’ll be finishing up the cabinet when I return home.. I can’t tell you what I’ll be filling the cabinet with – but when the construct is done, I will have had a lot of fun making things to fill it with.

Though the cabinet is not done, the painting part of it is, and it was lovingly, carefully scanned for truest color and detail, and printed as a giclee for the best, most highly-detailed and most brilliant reproduction quality.

Someday I will Never Grow Up Detail 1
Detail 1
Some Day I will Never Grow Up Detail 2
Detail 2
Some Day I Will Never Grow Up Detail 3
Detail 3

These are printed 12×18 (the original size of the work) on Canvas (for the optimal standard framing size), in archival pigment inks on 200+ year archival quality heavyweight cotton canvas. Each is coated with a UV, moisture, and scratch-resistant coating for added longevity.

25 total will be printed. All giclees on Canvas are shipped stretched and mounted withing the US, or rolled everywhere else (but you can arrange to receive a stretche copy if you wish to work out additional shipping).

Each is hand-signed, hand-numbered, and dated by Myke Amend. Each also comes with a certificate of authenticity. Both the artwork and the certificate have matching serialized holograms affixed to them (front of certificate, back of canvas) for added assurance and to protect the value of your print.

The Giclees on Canvas are available here: 12×18 Giclee on Canvas

***Also Available***

1) a 16×20 OPEN edition SIGNED giclee on fine art rag paper. No guarantee how long they’ll be available, but they are not as limited as the giclees on canvas.

2) a 9×12 metallic print of this same image, also open edition.

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Mankind Has No Time (Desktop Wallpaper)

Mankind Has No Time 1280x960 Desktop Wallpaper
Mankind Has No Time 1280x960 Desktop Wallpaper

This image was the cover for the upcoming September/October issue of Gatehouse Gazette, an excellent dieselpunk, pulp, horror, sci fi, steampunk mag if you aren’t already reading it. It was originally done for the magazine in pen and ink, as per their black and white specifications, but I decided to complete the piece with color after the publication date.

This is the finished result… very vintage pulp in its look and feel.

What I was going for was a very retro sort of Neon Genesis Evangelion sort of concept…of course what it translated to, especially with the 1940’s technology looks very “War of the Worlds”, both of which made it an enjoyable and fun piece to do.

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Shades of Things to Come

A month back, I did a cover image for the Gatehouse Gazette, my second cover for them. The Gatehouse Gazette being a black and white publication, with a standard of using line-art for the covers, I decided to do the piece in pen and ink.

Though not exactly an expressive and creative masterpiece by any stretch, the piece made me happy looking at it, as it reminded me very much of the sorts of things I used to draw at my desk behind a makeshift wall crafted of several propped up books and a huge overfilled backpack. It also threw me back to the days of hoarding strange fiction pulp comic books, cyberpunk or dungeons and dragons manuals, and sci fi books – which I collected primarily for the artwork and imaginative worlds within.

I tend not to see works which simply look ‘neat’ or communicate a scene as art, more I see them as concept art or illustration, as such is typically the purpose of these works. No underlying meaning, no personal expression, no sociopolitical undercurrents or overtones, no mysteries contained within… just a scene from a story, a character or item from a book.

In this, as much as I looked at my line art piece, and desired to see it at its very-most complete, I thought it would be best to push on to other actual artworks – but this what rather hard to do, as the piece was continually, incessantly calling to me – so, in order to remove this distraction, I took to it with several tubes of acrylics and have been working at it a little each night.

I can’t say how oddly happy this makes me, as I work on it, and as I look at it at the end of the night – running my fingers over its surface as I know I shouldn’t – fascinated by the results because in all my time looking for that perfect surface for me – I never really gave bristol or illustration board a serious try, especially when it comes to paints. I like to at least have the illusion that my work will last forever and am forever trying to find more time tested and durable media to work on, to print on or to paint in. Though bristol has a high archival rating, I always think of all the things that could possibly happen to a piece over a few hundred years – and shudder to think of it.

The trade-off however – very nice. No tens of layers of gesso and sanding. No fighting/working with the grain of the wood or the texture of the canvas – a nice smooth surface which is easy to draw on before painting, and handles the paint rather nicely once a base coat has been applied.

It may not be an historic or ground-breaking work of art in the art world – it is however ground-breaking in mine. Not only have I found a new surface to love, but I have reminded myself once more that all art is self portraiture – as even though not intended, it unavoidably communicates the loves, interests, desires, fears, fancies, and soul of the maker… in this case maybe only my love for strange pulp fiction horror/sci fi, or perhaps a little more. I may never know, but I certainly won’t know until it is finished.

Well, enough of my musing… I now return you to your regular programming.

Oh… some progress piccies:

Gatehouse Gazette cover - pen and ink
Gatehouse Gazette cover - pen and ink
Gatehouse Gazette cover - acrylic on Bristol W.I.P
Gatehouse Gazette cover - acrylic on Bristol W.I.P
Gatehouse Gazette cover - acrylic on Bristol W.I.P
Gatehouse Gazette cover - acrylic on Bristol W.I.P
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This is Why We Can’t Have Nice Things!

Cover art for Gatehouse Gazette 10, my second cover for the popular Dieselpunk magazine.

Issue 10 will be released less than a day from the time of this posting, and can be found at ottens.co.uk.

Magazine Cover for GateHouse Gazette

(click the above image to view in larger sizes on Flickr)

I put it up for sale on Etsy, but I’ll likely pull it down if it doesn’t sell in the next day or so and paint it up with some acrylics for an upcoming show. If you would like to buy this piece, or would like to see what Bethalynne Bajema and I have for sale there, please go to Ettadiem.Etsy.com

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Desert Shadows – Now Available (in my store)

I reached the point where I *wanted* to add “just a little bit more”, but typically, as one learns over thousands of years of banishment to Earth, this is the point where one more brush stroke equals “overworked”. I waited about fifteen minutes just staring at the thing, and was happy with my decision.

Taking photos of paintings in artificial light don’t tend to yield the most spectacular results – there is a slight color shift seen from one edge to another (especially visible on the full shot). I’ll be getting it professionally scanned while I am away, proofing it when I return on the 29th, and since my printers are local – I’ll be able to start shipping these around January 11th.

They are however available now, in large limied edition metallics, limited edition giclees on canvas, and medium-sized open edition metallics (18×12 inches).

A bit about the painting:

I wanted the sphynx to be foreboding forgotten monolith, but I also wanted it to look “alive”, so I decided to put the tentacles emanating from the portal in the sphynx, putting the one winding around the back in the position a cat’s tail would be in were it thinkiing about ‘pouncing’.

In the shadows of this painting, are a night sky – something to dress up the dark spots, and to fulfill the need I had to make a starry sky out of my cloudy lightning-filled sky.

Desert Shadows (photograph of painting)

These weird shell things- I wanted rocks, but did not want them to be boring old rocks, I also wanted the desert to look almost as if it were a dried out ocean… so these fossil-like shell-like patterns in the stone served to fill these needs.

The lightning field – The way I wanted everything to be lit, required that lighting was coming in varying levels from many angles. I also love lightning. The floaty cages are a throwback to back when I did purely surreal artwork… and I thought they would add a nice ‘living’ touch to the landscape without ruining my desolate scene with actual plants.

ert Shadows (photograph of painting)

Lanterns everywhere – this one in the netting and reflecting off the portal window. A view of the coal bin, lightning field, floating cages, and propellers as well.

Oh… the nautilus. The nautilus-like submarine from “the Rescue”, now beached in the middle of the desert. Why??? … umm… Don’t tell me how to run my painting! It was a whim!

ert Shadows (photograph of painting)

Gondola – and lots of netting. More fishnet than a goth club on a Summer night. It serves well as extra cargo space. Ladders and doors for a sense of scale.

ert Shadows (photograph of painting)

The whole painting. Please forgive the obvious color shift from right to left, it is the result of uneven lighting on the painting when I took the shot.

ert Shadows (photograph of painting)

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Old Becomes New

It was brought to my attention yesterday that there were a number of prints which were not available in the current incarnation of my site – the result of starting anew on the store I suppose.

Looking through the collection, and cross-comparing, I’ve found at least 40 available prints of at least 15 artworks which never made it back to this site when the rebuild was done.

I’ve added a few tonight, and may add a few more soon. Mostly these are my darker works from over previous years.

I’d also like to start moving ahead and making screen printings of a lot of my engraved images, though I am not quite sure if I am going to make special screen prints for wall hanging, t-shirts, or other items in this course – I believe I will be leaning more towards the t-shirts, bandanas and patches – as I’ve already giclees of most of the engravings.

There will also be some books returning. I am remixing my comic book, starting from the ground up in a lot of places, deleting scenes, adding new ones – and leaning more towards the serious and slightly comedic intended work – less towards the wacky shock humor bit it had become. I’ll have related merch for that when done, but if anyone is interested in any of the remaining comics (there were only 100 of which printed), well just go ahead and contact me for those.

My children’s book, 2 years in the not-making, is next on the slate – I do however have two painting commissions to finish (one of which a book cover for a fave author), and some book illustration (interior work) to do for another author friend of mine.

Anyway – I see a lot of great things coming for this site, and will have a lot of news to give in the coming year. I have a good feeling I will find more time to get more of these projects off my plate come January – but for now – watch for the release of two new paintings (and giclees from them) sometime between December 25th and January 10th.