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** Damage notes. 2 of these prints were damaged in shipping to me. Each of their edges are only very slightly bent, in a 1.25 inch-long spot along the bottom-most edge, only 1/16th of an inch deep... practically unnoticeable, except to a very, very picky artist.

Framed, or even matted, these damages would be invisible, and vacuum-pressed in the mounting process, I am pretty sure the damage would disappear altogether. These are a part of the limited edition, and come certified, numbered, and serialized as the rest of the edition.

This is the second painting in the strange-fiction steampunk art series \"Airships and Tentacles\" wherein the works of, concepts of, and influences from Jules Verne and H.P. Lovecraft intermingle.

The original painting was commissioned for Josh Pfeiffer of Vernian Process, and it includes the HMS Gadreel above an icy sea investigating a strange and perhaps long-forgotten and possibly alien craft. Ghostly figures twist and turn within the mists, clouds, icebergs, and waves.

These 50 metallic prints are printed in Epson Ultra Chrome k3 archival inks on high-quality heavyweight metallic stock, coated with a UV/scratch/moisture resistant protective layer, with an archival-rating at about 200+ years. They are hand-signed, and gallery-wrapped. They are documented with a signed and hologrammed and serialized certificates of authenticity from Hahnemuhle, with a matching hologram affixed to the work.

The printed area on this metallic print is 34x17 inches, made to match the size constraints of the 36x24 inch \"the Rescue\" Metallic prints. The limited run of metallics for \"the Rescue\" sold out in a week, which saddened me a bit because I didn\'t even get to keep one for myself and because  felt a bit bad for the people who wanted them but couldn\'t get them. So, instead of a limited run of 20 + II, I am doing a Limited run of 50 for these.